Rome 19th-21st October 2001

Home

If you see something you like, and would like to use or have a print of, email photos at subjectline dot co dot uk.

Here are some more of my experiments in trying to take better photographs. Some of these are simply documentary shots of things I happened to think were interesting in themselves, such as the graffiti comments about the proposed new building near the Mausoleum of Augustus. However, just before my visit to Rome I had read Ansel Adams' great book, "The Negative", which introduces a methods of selecting the appropriate exposure to make the picture look like the photographer wants it to look, in a predictable and reliable way. I made my first, extremely simple attempts to use his advice in understanding the behaviour of my camera's light meter, and achieving the picture I wanted by using it intelligently.

Picture 1 Larger
A long, graffiti'd rant by an American architecture student who dislikes the design for the new cultural centre ...
Picture 2 Larger
As much as some of the Romans seem to - but inscriptions include "BELLISSIMO" as well as "Please don't do this,"
Picture 3 Larger
Here I deliberately increased the exposure to make the picture look like it looked in real life. And it does. Everything was sunlit (it was morning, around half past nine or ten), there was mist in the air and the church was very hazy. The exposure suggested by my camera would, I thought, have assumed average lighting and made the scene look dull.
Picture 4 Larger
The Mausoleum from another angle. Here again I felt that there were no important middling values in the scene, only the light stone and dark trees. And I didn't want the insides of the arches to lose all detail. So again I increased the exposure a bit and got the effect I wanted (you may not agree that it was the right effect to go for; my aim was mainly to visualise how I wanted the photo to come out, and achieve the result deliberately)
Picture 5 Larger
The buildings in the Piazza di Spagna are attractively painted - Here too I deliberately increased the exposure to get the luminosity of the colours right. I used my camera's meter to measure the pink, which I now understood to mean that the camera's suggested exposure treated this as a middle (18% grey) value. In real life the whole scene seemed more luminous than that, and there weren't really any middle values I could reliably measure. So I noted the camera's suggestion and increased the exposure accordingly (by opening the aperture).
Picture 6 Larger
If I had used the exposure suggested by the camera's light meter, the pink would have looked rather dull, as it does here.
Picture 7 Larger
Rome is built on hills, and you soon notice. This is the top of the "Spanish Steps". I would have done better to come back later in the day when the sky was blue, but by then the steps would have been impassable, and I was falling asleep.